One line

Love Carbin: Åter, nära

for any instrument(s)

The piece is written for any instrument, or combination of instruments. All instruments interpret thescore, playing together all at once. Overlay instruments or decide on an ”orchestration” of the score (or both). No pitch or register is prescribed but is instead left to the performers discretion. The sound world of Åter, nära is that of noise. Pitches are present but never stable or clear, but rather distorted, interfering, always fluttering or changing. Noise is the ground on which pitches can appear. The character of the piece is very focused and intimate. Performers are invited to be placed facing towards each other during a performance: emphasising the intimate nature of the piece.

(Love Carbin)