Philoktet
Stuttgart


Samir Odeh-Tamimi: Philoctet
Music theater based on the dramas by Sophocles,
Heiner Müller and André Gide (2022) WP
Composition commission by Musik der Jahrhunderte
Composition and stage concept: Samir Odeh-Tamimi
Co-direction: Rosabel Huguet
Libretto: Claudia Pérez Iñesta
Collaboration Costume: Indra Nauck
Philoktet: Daniel Gloger (countertenor)
Neoptolemos: Martin Nagy (tenor)
Odysseus: Andreas Fischer (bass)
Intruder and Chorus: Guillermo Anzorena (baritone)
Greek Chorus: Johanna Vargas (soprano), Susanne Leitz-Lorey (soprano), Truike van der Poel (mezzo-soprano)
Zafraan Ensemble
Miguel Perez Inesta (double bass clarinet), Daniel Eichholz (percussion), Anna Viechtl (harp), Clemens Hund-Göschel (piano), Emmanuelle Bernard (violin), Josa Gerhard (viola), Zoé Cartier (cello), Beltane Ruiz Molina (double bass)
Andrei Cucu, sound direction and electronics
Duration: approx. 70′
»Man, living among others, is incapable, incapable of pure and truly selfless action. I, on this island, follow myself, understanding, day by day less Greek, day by day more human…«
(André Gide: Philoctet or the Treatise of the Three Kinds of Virtue. 1904)
»Philoctet is an excluded, an insulted, a potential avenger, in other words, we would say today: potentially a terrorist.«
(Etel Adnan: Notates on the Killing of Philoktet in Heiner Müller. 2004.)
Composition commission financed by the Ernst von Siemens Music Foundation.
Supported by the Studio for Electroacoustic Music of the Academy of Arts, Berlin.



© Harald Hoffmann

© Manu Theobald

© Neda Navaee