One line

Péter Eötvös: Triangel

Concerto for percussion and orchestra

»Musical action play for a creative percussionist and 27 instruments.«

It seems to me that solo percussionists have their own little universe: they have instruments they prefer special playing techniques that differentiate them from other percussionists. Triangel is composed in a way that space is provided for these individual creative forces. The ensemble, which is divided into four groups, reacts partly in a fixed manner, partly spontaneously to the music coming from the soloist. This piece rediscovers the improvised cadence techniques, which were an inherent part of concertos about 100 years ago.
Peter Eötvös (1999)

Triangel has 10 movements, each with its own individual character.

Entry with triangle (solo)

First Promenademasculine (ensemble)

On the wooden street (woodwinds and plate bells)

Second Promenadefeminine (ensemble)

Expansion/Contraction (strings and steeldrums)

Semi-finale (tutti- and a bass timpano)

Metallic sounds (brass instruments, tam-tam and gongs)

Triangle choirs (24 tutti- und 3 solo triangles)

Dervish Dance (clarinets- solo and 3 amplified triangles)

Exit with triangle (solo)

 

First performance: February 1994 Stuttgart
Junges Philharm. Orch. Stuttgart
Conductor: Manfred Schreier
Isao Nakamura, perc.